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・ Self Made Vol. 3
・ Self Medicated
・ Self Medication (album)
・ Self model
・ Self mounting image
・ Self number
・ Self Organised Learning Environment
・ Self Portrait (Bob Dylan album)
・ Self Portrait (Junko Onishi album)
・ Self Portrait (Kramskoi)
・ Self Portrait (Lalah Hathaway album)
・ Self Portrait (Loma Prieta album)
・ Self Portrait (Raymond Lam album)
・ Self Portrait (Ruth Copeland album)
・ Self Powered Neutron Detector (SPND)
Self Preserved While the Bodies Float Up
・ Self psychology
・ Self Publish, Be Happy
・ Self Record
・ Self Reliance (political party)
・ Self religion
・ Self representation
・ Self rescue (climbing)
・ Self Righteous Brothers
・ Self Righteous Suicide
・ Self service technologies
・ Self storage
・ Self Sustaining Family Habitations
・ Self system
・ Self Taught


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Self Preserved While the Bodies Float Up : ウィキペディア英語版
Self Preserved While the Bodies Float Up

''Self Preserved While the Bodies Float Up'' is the fourth and final full-length studio album by the progressive rock band Oceansize. It was released in September 2010 on Superball Music.〔( "Oceansize: new album in September, CD artwork published and UK tour confirmed"" ). Superballmusic.com. Retrieved July 15, 2010.〕 It has received near unanimous acclaim from critics.
==Background==
The band stated numerous times that they believed the album to be significantly heavier, and in an interview with ''The Goodbye Look'', vocalist/guitarist Mike Vennart confirmed that the album would showcase the band's heavier side; "...the new album's a mixture for sure. There's plenty of heavy stuff, the heaviest we've ever done. But we still love playing the lush stuff. I can only think of a couple of bands I love who are strictly HEAVY ONLY. Slayer, for example. For the most part, I feel like some bands over-play their lack of subtlety and it just gets... a bit boring really. I dunno, I can feel more emotions than anger and energy, so I expect my music to reflect that.". Vennart also stated that he is very proud of the effort, saying "I can honestly say that I haven't been so excited about a record since 'Everyone Into Position' which I was incredibly proud of when we made it. I'm not necessarily trying to build anticipation for the record, moreover I just want people to know it's coming and that we love it!".〔
Earlier in the year, guitarist/keyboardist Gambler elaborated on the direction of the album; "A while ago I posted a statement on our website saying that the new album will be “fifteen songs, all under four minutes.” This was obviously a joke, but it’s not so far from the truth. Most of the songs are shorter, more concise. We didn’t set out to write shorter songs, it just happened; we didn’t feel the need to drag them out and elaborate on them any further than necessary. I think we’ve been tarred with the ‘oh-they-write-long-proggy-songs’ brush so I think a few people will be quite surprised."
Vennart attempted to describe the sound of the new album in January 2010, saying "In the most part it's a bit shorter, it's mainly heavier, there's one tune that we're just practising at the moment that is just the fucking loudest, most obnoxious, sludgy, horrible, heaviest thing we've ever done. I'm really looking forward to presenting that, it's going to be unbearable, that'll be quite interesting. I've never heard anything quite like it, so I don't quite know how people are going to take to it, it's not particularly catchy. It'll be good." He added that "Gambler is playing a little bit of keyboards in here or there. On the last album, 'Frames', Gambler's playing keyboards on virtually everything, so I think he's trying to keep that to a minimum this time. There's some stuff that's the fastest, most frantic stuff that we've ever done. The strange thing is that with every album that we do, we try to do something different and keep everybody on their toes, just to keep things interesting for us as well as the audience, but the thing is, it's really hard to change what you sound like. You can bring in all these strange influences and get introduced to all kinds of new music that can instigate fresh ideas but at the same time you're still going to sound like your band."
The album was recorded at the band's self-funded studio in Manchester, while the mixing was completed at Abbey Road Studios by Sean Magee.
The special edition of the album comes with the b-side ''Cloak'' (aka Tough Cookie), as well as a detailed, 40-page booklet, while the vinyl edition of the album comes in a gatefold sleeve with all the lyrics as well as a copy of the entire album on CD.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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